Jean-Louis Mireault



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When I was young, I like to draw and especially to put colours on the
drawings in colour books. Those black line drawings were very attractive to
me. Older (about 14 years old) I began to paint, using oil paints on canvas.
I was thinking seriously of an art career. But I started teaching - I teach
mathematic to slow learner and behaviour problems children. And I love it.
But destiny is always 'au rendez-vous'. In 1979, a lady knocked at the back
door of our late XVIIIth century house. 'You are artists!' speaking at my
wife, France Briere, and me, 'Don't you make paintings on silk?' Right away
she offered us a place to exhibit our framed artwork on silk and silk
scarves. The exposition was held in an old, round mill near the St. Laurent
river in Vercheres, Quebec, Canada. So started my art adventure, my art
career. In three days we sold all our production of 36 scarves and 20
paintings on silk.
After seven years of hard work, I finally joined the top professional art
craft association in Montreal - La Centrale des Metiers dıart du Quebec
(CMAQ) in the textiles section. And so, Mireault started to be renowned as a
'water-colourist on silk' and companies such as Bell Canada and Via Rail
Canada used my artwork to give to important visitors and reproductions of my
artwork were transformed into greetings cards. I realised some specific
watercolours on silk for those corporations. My drawings are a possibility
to illustrate almost anything.
After sixteen participations at Le Salon de Metiers d'Art de Montreal, a
professional art/craft show I realise the public can now identify my artwork
talking about my black lines (black gutta that remember me the colouring
books), vivid colours and the silk. I gave so many explanations about this
specific technique, I reassure so many people about the durability of the
pigments on the silk, I repeat so many time the story of the silk road and
how this art find itıs way to Quebec, that my name is now associated with
painting on silk.
About ten years ago, I also thought about bringing painting on silk as a
noble form of art. In the last century, watercolours on paper were
neglected. Now the are considered as artworks. I intend, with other silk
painters, to achieve this wonderful mission for the painting on silk or
watercolour on silk in this beginning of a new century. I always present my
paintings on silk in a classical way: framed with a double mat and glass.
When they look at my artworks, people, in a first look, think they are
watercolours on paper. They are intrigued by the brightness of the colours,
the black line drawing, the silkiness surface.
Since, 1998, I am a silver medallist with the Cercle des Peintres et
Sculpteurs du Quebec. That year, I participate at an exhibition with 350
other professional artists. They were oil painters, watercolourists,
pastellists, mixed-media and me, a single silk painter! In 1999, I received
the gold medal and last year, a trophy mentioning 'Great Honour'. It is a
great victory in my quest of giving painting on silk his real place on the
podium and on the 'cimaise' of galleries.
Last summer, exploring the internet, I get in touch with other silk
painters. I discovered the Guild of Silk Painters and SPIN. All together,
each on our side, we are following the same aim. It is really a great
honour, after all those years, to be accepted by your association. Be sure of one thing: I will be a proud
representative of the Guild of Silk Painters in Canada. I will continue to
promote silk painting as a noble form of visual art.
Twenty years later, I am still teaching and I still painting on silk. In two
years from now, I will get retired from teaching mathematic, so I will
devote all my time to this marvellous passion, painting on silk and teaching
silk painting.
Jean-Louis Mireault. Vercheres, Quebec, Canada
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